![]() “Musical Emotion: Toward a Biologically Grounded Theory.” Ph.D. Chicago: University of Chicago Press.īashwiner, David. “Lifting the Foot: The Neural Underpinnings of the ‘Pathological’ Response to Music.” In A Field Guide to a New Meta-Field: Bridging the Humanities-Neurosciences Divide. Oxford: Oxford University Press.īashwiner, David. Cohen, Roger Kendall, and Scott Lipscomb. “Musical Analysis for Multimedia: A Perspective from Music Theory.” In The Psychology of Music in Multimedia. Los Angeles: Sage Reference.īashwiner, David. ![]() ![]() “Tension.” In Music in the Social and Behavioral Sciences: An Encyclopedia. “Modularity.” In Music in the Social and Behavioral Sciences: An Encyclopedia. “Attention.” In Music in the Social and Behavioral Sciences: An Encyclopedia. “Musical Creativity ‘Revealed’ in Brain Structure: Interplay Between Motor, Default Mode, and Limbic Networks. Scientific Reports 6 (20482): 1–8.īashwiner, David. Cambridge: Cambridge University Press.īashwiner, David, Christopher J. “The Neuroscience of Musical Creativity.” In The Neuroscience of Creativity. Review of Brain and Music, by Stefan Koelsch. “Have No Fear: The Amygdala in Music Theory.” (Available from the author upon request.)īashwiner, David. ![]() His recent work has extended these explorations to the realms of multimedia and creativity.īashwiner, David. His doctoral dissertation, “Musical Emotion: Toward a Biologically Grounded Theory,” explored the biological foundations of emotional responses to music. David Bashwiner is an Associate Professor of Music Theory at the University of New Mexico with degrees in music theory (PhD, University of Chicago), music composition (MMus, University of Illinois), and psychology (AB, Cornell University). ![]()
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